Wednesday, February 18, 2009

American Gothic

This painting, when taking a closer look, has a very sublte way of setting a tone for the atmosphere suspended within it. The painter paints two people who span the width of the canvas, creating a sort of barrier from the viewer in the direction of the town. What this does is make it seem as though the townspeople are reluctant to let new comers in. Another thing is the pitchfork in the gentleman's hand. Very sharp, and help before him sternly. Almost in the same way a solideir would hold a rifle. This contributes to that overall sense of defense.

Even though this is a frozen image, the manner in which the two people stand and poise themselves suggests somethings that can be expected in their society. First off, the woman does not make eye contact with the viewer, while the man looks at him intensly. She is also slightly behind the man. This suggests that in the society the man is the protector where the woman would be the passive, "proper" person.

In the background one can see a church. What this does is create an explanation and idea of the basic ideals of the townsfolk. First impression i get is that these are god-fearing folk, who are extremely religious, and overly paraniod. It also helps explain the social status of the man and woman--considering the ideals of traditional christians. It also supports the idea that they are reluctant and weary of outsiders. Whom they would describe as sinners and even people of satan!

I'm not sure if any of this is true but the painting does provoke these thoughts. Whether or not it is healthy to assume all of these things but the painter must've realized the strength of these stereotypes.

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